Arturo Vidich

novel

Salt For A Dog
Shortlisted for the Masters Review 2022 Novel Excerpt Contest
*A project of Creative Capital

Widowers Club, in-progress


short

“Kangaroo Pocket” (2023)

“The Camera” (2021)

“Sinner” (2021)

“Widowers Club” (2018)

“My Famous Friend” (2018)

“Chocolate Trips” (2017)

“Dasha’s Story” (2017)

“Chuckles” (2016)

“Balls” (2008)

“Broken Headlights” (2008)


“Biter” (2022)

“Self-Storage” (2021)

“Hot Sauce” (2021)

“Katya” (2018)

“How To Get A Cat To Stop Scratching Your Couch” (2018)

flash


Electric Literature - Isolation and addiction in Lungfish: Meghan Gilliss interviewed by Arturo Vidich (Catapult, 2022)

The Chicago Review of Books - The Diasporic Gaze: an interview with Fatin Abbas on Ghost Season (W.W. Norton, 2023)

The Chicago Review of Books - Featured Review of Marta Balcewicz’s debut novel Big Shadow (Book*Hug Press, 2023)

Electric Literature - Interview with Ruth Madievsky about All-Night Pharmacy (Catapult, 2023)

The Chicago Review of Books - Interview with Kate Doyle about I Meant It Once (Algonquin, 2023)

The Chicago Review of Books - Featured article about Rufi Thorpe’s Margo’s Got Money Troubles (William Morrow, 2024)

The Millions - Interview with Helen Phillips about HUM (Simon & Schuster / Marysue Rucci Books, 2024)

interviews
and reviews
by Arturo

SELECTED Artwork

 
 

BODY ISLAND, 2011

Body Island is inspired by a vision of the performer's body as a landscape and a site of refuge. In using imagery that evokes a natural catastrophe, the work is a metaphor for how society anticipates and responds to crisis. One performer and ten rats interacted in a closed structure as it flooded. Spectators reclined on the structure while the unseen performance occurred beneath them. Three camera feeds of the action were live-edited and projected onto a screen suspended over the structure. This work exists as a single channel video, as well as a 4-channel video installation. The performance captures complex, unpredictable behavior patterns that suggest larger structures. The performer in Body Island uses behavior as a prompt for the rats, who were trained to respond to position and movement as well as environmental factors. Shot on location at Abrons Art Center, co-presented by The Chocolate Factory. March, 2011

 

142241, 2013

 

Daedaelus Effect, (excerpt) 2013

 

Shitopia, 2011

 

more to come

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